Two VHS digitizers uncover the truth behind a mysterious box of unmarked tapes. A Kinowave Production Directed by Ben Winter Edited by Griffin Daniels Screenplay by Ronan Jensen with Ben Winter Story by Ronan Jensen Stepha Manley played Jessie Cameron Colon played David Jax played Bandana Jessenia Blackstone played Em And The Cameraman played Himself Casting by Ryan Ruffing Produced by Everett Cobb Sebastian Kolderup-Lane Sultan Mars Executive Producer Jonathan Cocco Assistant Director Evan Hourany Director of Photography Brandon Kheang Assistant Camera Isaac Kau Production Designer Adriana Morales Assistant Art Director Ronan Jensen Gaffer Micah Goldfarb Key Grip Kat Santana Best Boy Electric Sam Luscher Best Boy Grips Sungbin Moon Lucas Vilicich Script Supervisor Jessenia Blackstone Sound Recordist Colin Russell Sound Designer Luke Baird Re-Recording Mixer Everett Cobb Colorist Miki Inoguchi Visual Effects by Brandon Kheang Ben Winter Visual Effects Consultant Hunter Woelfle Titles by Burt Walker Music by Sergio Vazquez-Mora “Show Me Love” Written & Performed by Mousanz Filmed on Location in Artesia, California

I helped a Senior animation student from CSULB with his short animated film called Too Slow. I was the lead Sound Designer of this short animated film. I provided sfx from sound design libraries and directed an assistant sound designer to help me find more sfx to use for the film.

I was given the opening scene from the film Constantine (without sound), and I added my own sound design to it with sfx from sound effect libraries.

I was given a video of a short animated film and added sound design from sound design libraries to create an eerie and humorous tone for the story. A project from my Audio Production class.

This is my Audio Production final project, where I added my own sound design to a still-image short film I shot on my iPhone.

This Sound Design class exercise involved just adding Background sound effects to a scene from the film Species. This exercise helped me to understand the importance of having different background sfx for each different location between shots, and how to blend the background sfx with fade ins and outs.

This is an ADR exercise I did with a fellow classmate for Sound Design class, where we both voiced the characters and re-recorded lines to sync our voiceovers with the picture.